Queer Baroque: Nikko Mausoleum
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Queer Baroque: Nikko Mausoleum

The construction of modern sexuality emphasises the sameness of biological gender between sexual object and sexual subject, which did not operate in Japan as it could not accommodate these existing gender constructions. The intense connection of the Nikkō Tōshōgu to the Tokugawa meant that it was intrinsically connected to a time that was becoming increasingly demonised as deviant.

Thinking through Australian Coloniality: An Autoethnographic Reflection on Ancestry, Epistemology and Academia
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Thinking through Australian Coloniality: An Autoethnographic Reflection on Ancestry, Epistemology and Academia

Though I would not refer to myself as one, being ‘a colonial’ is an uncomfortable place to be when your ancestors were simultaneously the victims of horrific British penal codes, and also the instigators of genocide.

SOAS History Blog Podcast, Ep. 2: Histories of Childhood in Algeria – Researching an Undergraduate Dissertation During COVID-19
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SOAS History Blog Podcast, Ep. 2: Histories of Childhood in Algeria – Researching an Undergraduate Dissertation During COVID-19

More about this episode Podcast Transcription Hi Mia, thank you for being here. I’m Haritha Balasubramaniyan, second year undergraduate at SOAS in the Department of History, speaking to you on behalf of the SOAS History Blog. Hi, it’s so lovely to be here. My name is Mia Bellouere. I’m recently graduated from SOAS where I…

Remembering the French Nation through Colonial Forgetting: An Analysis of the Exhibition of Hervé di Rosa’s ‘1794 – L’abolition de l’an II’ (Part of the series ‘L’Histoire en peinture de l’Assemblée nationale’, 1991)
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Remembering the French Nation through Colonial Forgetting: An Analysis of the Exhibition of Hervé di Rosa’s ‘1794 – L’abolition de l’an II’ (Part of the series ‘L’Histoire en peinture de l’Assemblée nationale’, 1991)

by Darja Wolfmeier Résumé: Depuis 1991, une série de 13 fresques d’Hervé di Rosa est accrochée aux murs de l’Assemblée nationale française, représentant des étapes majeures de l’histoire constitutionnelle française – l’une d’entre elles étant l’Abolition de l’esclavage dans les colonies en 1794. Cette représentation ne reproduit pas seulement des stéréotypes racistes, mais s’inscrit également dans…

The Tigris Still Runs Black with Ink: Untangling the Myths Surrounding the Development of Islamic Thought
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The Tigris Still Runs Black with Ink: Untangling the Myths Surrounding the Development of Islamic Thought

A contemporary revision of the still prevalent narrative of the ‘Golden Age-Decline-Termination’ of the Islamic World. This examination of intellectual history highlights new and emerging figures in an attempt decolonise the history of Islamic Thought.