Nineteenth Century Bengali Farces and the Comic Tradition
Priyanka Basu A farce has often been deemed as a genre not complete in itself, but more in the form of appending a comic representation. Farces have been considered ‘lower’ in status to ‘high comedy’ primarily due to the excess of the comic body in performance and the inherent absurdities in dialogue. In 19th century Calcutta, farces—better known as prahasana—found a prolific expression both in print and on-stage. Proscenium stage