A Brief Record of my Father’s Time at Sea
SOAS Library Decolonisation Group
A screening of “A Brief Record of My Father’s Time at Sea”, the latest documentary from Toronto-based Hakka filmmaker, Jeanette Kong.
Discussion and Q&A session with Dr. Richard Hylton.
Wednesday 21st June, 6pm – 8pm, Brunei Gallery Lecture Theatre.
75 years after the Partition of India, who owns the narrative? This question has been pondered at length in different forms on different forums, and the Sindh story has been markedly absent. It’s hard to understand why this is so, as it is a big story affecting a large and diverse population, with many remarkable features.
When Partition gave the province of Sindh intact to Pakistan, it was believed that the non-Muslims would continue as a peaceful and prosperous minority, as they had been for centuries. And when the trouble escalated, they faced their abrupt exile with courage and enterprise. At the moment it starts with the decolonising group…
Gambia celebrated its 53rd year as a republic on 24 April and for this occasion we seek to celebrate our independence from total colonial rule by showcasing our cultural diversity as a country in masquerades. Masquerade in Africa symbolises unity, as all ethnic and religious groups celebrate together through Masquerade. This resonates across West Africa and its Diaspora as a form of cultural resistance. In other parts of the world
Gambia celebrated its 53rd year as a republic on 24 April and for this occasion we seek to celebrate our independence from total colonial rule by showcasing our cultural diversity as a country in masquerades. Masquerade in Africa symbolises unity, as all ethnic and religious groups celebrate together through Masquerade. SOAS Decolonising Working Group (DWG) Hidden Histories A seminar series curated by the Library Decolonisation Operational Group, led by Farzana
Despite the best efforts of researchers and campaigners, there remains today a steadfast tendency to reduce the history of African and Caribbean people in Britain to a simple story: it is one that begins in 1948 with the arrival of a single ship, the Empire Windrush, and continues mostly apart from a distinct British history, overlapping only on occasion amid grotesque injustice or pioneering protest. Yet, as acclaimed historian Hakim
Despite the best efforts of researchers and campaigners, there remains today a steadfast tendency to reduce the history of African and Caribbean people in Britain to a simple story: it is one that begins in 1948 with the arrival of a single ship, the Empire Windrush, and continues mostly apart from a distinct British history, overlapping only on occasion amid grotesque injustice or pioneering protest. SOAS Decolonising Working Group (DWG)
The BlindianProject is a social impact media platform and community at the intersection of Black x Brown culture. We aim to normalize Black x Brown relationships and dismantle anti-Blackness and Indophobia. Known as the “Home of Black x Brown Culture” we create immersive, cross-cultural experiences that unite our communities and inspire solidarity. Our work has been featured in international publications such as The BBC World News, The Lily (Washington Post),
The BlindianProject is a social impact media platform and community at the intersection of Black x Brown culture. We aim to normalize Black x Brown relationships and dismantle anti-Blackness and Indophobia. SOAS Decolonising Working Group (DWG) Hidden Histories A seminar series curated by the Library Decolonisation Operational Group, led by Farzana Qureshi, Dr. Ludi Price, Amma Poku and Angelica Baschiera Hidden Histories seeks to highlight stories from African, Caribbean and Asian communities in the UK
“Poetry doesn’t feed mouths, doesn’t build homes, doesn’t cure systemic ills” yet there are undocumented in America who choose metaphor and the line to make their way in a country that does not recognize them. These poets write on eros, silence, humor—and, yes, of their experiences of being “illegal.” On May 24, 2022, the Fellows of the Undocupoets will read poems and discuss the role of poetry in this highly
“Poetry doesn’t feed mouths, doesn’t build homes, doesn’t cure systemic ills” yet there are undocumented in America who choose metaphor and the line to make their way in a country that does not recognize them. These poets write on eros, silence, humor—and, yes, of their experiences of being “illegal.” On May 24, 2022, the Fellows of the Undocupoets will read poems and discuss the role of poetry in this highly
